References

A collection of references and resources used in the creation of this portfolio, presented in Harvard style. Further resources include articles about immersive art and contemporary art installations that have influenced my work.

Book:

Surname, Initial(s). (Year) Title. Edition (if not the first). Place of publication: Publisher.

Journal Article:

Surname, Initial(s). (Year) 'Title of article'. Title of Journal, Volume(Issue), pp. Pages.

Website:

Surname, Initial(s). (Year) Title of webpage. Available at: URL (Accessed: Date).

Immersive art articles

Explore a curated list of articles that delve into the world of immersive art, showcasing innovative techniques and groundbreaking exhibitions.

Example article 1: [[website]]

Example article 2: [[website]]

Example article 3: [[website]]

Contemporary art installations

Discover insightful articles that explore contemporary art installations, highlighting the artists and concepts behind these thought-provoking creations.

Example article 1: [[website]]

Example article 2: [[website]]

Example article 3: [[website]]

References

Berger, J. (1972) Ways of Seeing. London. Penguin. Available at: https://www.ways-of-seeing.com/ (accessed: 6/10/2025)

Carroll, N. (2002) Philosophy of Art. A Contemporary introduction. London. Routledge

Davies, S. M. 2010. “The co-Production of Temporary Museum Exhibitions.” Museum Management and Curatorship 25 (3): pp. 305–321.

Heywood, I. and Sandywell, B. (eds) (2017) The Handbook of Visual Culture. London. Bloomsbury Academic 

Clarke, P. (2025) https://immersivearts.uk/research/artists_and_audience_development/ (accessed 9/11/25)

 

Luo, D., Doucé, L. https://immersivearts.uk/research/artists_and_audience_development/ Nys, K. (2024) ‘Multisensory museum experience: an integrative view and future research directions’, Museum Management and Curatorship, pp. 1–28. doi: 10.1080/09647775.2024.2357071.

Luo, D., Doucé, L. and Nys, K. (2025) ‘Immersive Art Exhibitions: Sensory Intensity Effects on Visitor Satisfaction via Visitor Attention and Visitor Experience’, Visitor Studies, pp. 1–22. doi: 10.1080/10645578.2025.251083

Mehmetoglu, M. and Engen, M. (2011) ‘Pine and Gilmore’s Concept of Experience Economy and Its Dimensions: An Empirical Examination in Tourism’, Journal of Quality Assurance in Hospitality & Tourism, 12(4), pp. 237–255. doi: 10.1080/1528008X.2011.541847

Pine, B.J. and Gilmore, J.H., 2011. The experience economy. Harvard Business Press.

Popoli, Z. and Derda, I. (2021) ‘Developing experiences: creative process behind the design and production of immersive exhibitions’, Museum Management and Curatorship, 36(4), pp. 384–402. doi: 10.1080/09647775.2021.1909491.

Rodríguez, Miriam & Pérez, Vicente & López Rodríguez, Ana. (2024). Immersive and virtual exhibitions: A reflection on… art?. Arts & Communication. X. 1-24. 10.36922/ac.3688.

 

Sandburg, B. (2021) 'Art thinking: Turning an ill-defined_Phantom_into_a_Paradigm_for_Intrapreneurship' Available at: www.researchgate.net/publication/354419826_Art_Thinking_Turning_an_Ill-defined_Phantom_into_a_Paradigm_for_Intrapreneurship

Sawako, Y. and Takeshi, O. (2021) 'The Process of Art-making and Creative Expertise: An Analysis of Artists’ Process Modification' Journal of Creative Behavior: Volume 55, Issue 2. Pages: 285-563.

Whitaker, A. (2016) Art Thinking: How to Carve Out Creative Space in a World of Schedules, Budgets, and Bosses. New York. HarperBus.

Wiener, A. (2022) Letter from Silicone Valley. The Rise and Fall of Imersive Art. Available at: https://www.newyorker.com/news/letter-from-silicon-valley/the-rise-and-rise-of-immersive-art   (accessed 1/12/2025)

 

 

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