References

References

 

Berger, J. (1972) Ways of Seeing. London. Penguin. Available at: https://www.ways-of-seeing.com/ (accessed: 6/10/2025)

 

Carroll, N. (2002) Philosophy of Art. A Contemporary introduction. London. Routledge

 

Clarke, P., (2025) Artists and Audience Development https://immersivearts.uk/research/artists_and_audience_development/  (accessed 9/11/25)

 

Davies, S. M. (2010) “The co-Production of Temporary Museum Exhibitions.” Museum Management and Curatorship 25 (3): pp. 305–321.

 

Frameless (n.d.). Home - Frameless. [online] frameless.com. Available at: https://frameless.com/.

 

‌Grau, O., (2004) Virtual Art: from illusion to immersion. MIT press.

 

Heywood, I. and Sandywell, B. (eds) (2017) The Handbook of Visual Culture. London. Bloomsbury Academic 

 

Light Up the North. (2021). Light Up The North - nurturing artistic ambition. [online] Available at: https://lightupthenorth.com/ (Accessed 6 Jan. 2026).

 

‌Luo, D., Doucé, L. https://immersivearts.uk/research/artists_and_audience_development/ Nys, K. (2024) ‘Multisensory museum experience: an integrative view and future research directions’, Museum Management and Curatorship, pp. 1–28. doi: 10.1080/09647775.2024.2357071.

 

Luo, D., Doucé, L. and Nys, K. (2025) ‘Immersive Art Exhibitions: Sensory Intensity Effects on Visitor Satisfaction via Visitor Attention and Visitor Experience’, Visitor Studies, pp. 1–22. doi: 10.1080/10645578.2025.251083

 

Mehmetoglu, M. and Engen, M. (2011) ‘Pine and Gilmore’s Concept of Experience Economy and Its Dimensions: An Empirical Examination in Tourism’, Journal of Quality Assurance in Hospitality & Tourism, 12(4), pp. 237–255. doi: 10.1080/1528008X.2011.541847 

 

MOMA. (1990) Museum of Modern Art Fact Sheet. Available at: https://assets.moma.org/documents/moma_press-release_327576.pdf (accessed 9/11/2025)

 

Musée cantonal des Beaux-Arts (2023). Exhibition Guide. Immersion. The Origins: 1949-1969available at: https://www.mcba.ch/en/exhibition-guide-immersion-the-origins-1949-1969/ (accessed 3/1/2026)

 

Pine, B.J. and Gilmore, J.H., 2011. The experience economy. Harvard Business Press.

 

Popoli, Z. and Derda, I. (2021) ‘Developing experiences: creative process behind the design and production of immersive exhibitions’, Museum Management and Curatorship, 36(4), pp. 384–402. doi: 10.1080/09647775.2021.1909491.

 

Rodríguez, Miriam & Pérez, Vicente & López Rodríguez, Ana. (2024) Immersive and virtual exhibitions: A reflection on… art? Arts & Communication. X. 1-24. 10.36922/ac.3688.

 

Rugoff, R. (n.d.). In Terms of Performance. [online] Available at: http://intermsofperformance.site/keywords/experience-economy/ralph-rugoff. (accessed 6/1/26)

 

Sandburg, B. (2021) 'Art thinking: Turning an ill-defined Phantom_into_a_Paradigm_for_Intrapreneurship'  Available at: www.researchgate.net/publication/354419826_Art_Thinking_Turning_an_Ill-defined_Phantom_into_a_Paradigm_for_Intrapreneurship

 

Sawako, Y. and Takeshi, O. (2021) 'The Process of Art-making and Creative Expertise: An Analysis of Artists’ Process Modification' Journal of Creative Behavior: Volume 55, Issue 2. Pages: 285-563.

 

Setianingsih, B. A. (2025) “SEE, THINK, WONDER: VIEWING SKILLS STRATEGY FOR JUNIOR HIGH SCHOOL STUDENTS”, SEAQIL Journal of Language Education, 4(1), p. 271–283. doi: 10.70046/sjle.4.1.271--283.

 

teamLab (2019). teamLab / チームラボ. [online] Teamlab.art. Available at: https://www.teamlab.art.

 

Wells, E. J. (2011) "Making ‘Sense’ of the Pilgrimage Experience of the Medieval Church." Peregrinations: Journal of Medieval Art and Architecture 3, 2 : 122-146.

 

Whitaker, A. (2016) Art Thinking: How to Carve Out Creative Space in a World of Schedules, Budgets, and Bosses. New York. HarperBus.

 

Wiener, A. (2022) Letter from Silicone Valley. The Rise and Fall of Imersive Art. Available at: https://www.newyorker.com/news/letter-from-silicon-valley/the-rise-and-rise-of-immersive-art   (accessed 1/12/2025)

 

 

Create Your Own Website With Webador